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Carolyn from Las Vegas, Nevada
This is my 5th show. This and the recent TV version were by far the worst. Costuming, presentation and singing were subpar. The instrumental music saved the show. None can compete with the version I saw 50 years ago.
Buddy from Nashville, Tennessee
JUST NOT THE SAME
I have high expectations for this Rock Opera. Having seen Ted Neeley and Carl Anderson several times on tour, one just always will have that 'similar' feel; however, realizing there is no comparison to those icons - - but can you at least try to come close? Folks this is supposed to be of Broadway caliber. Broadway, I’ll say it one more time - Broadway…. Big shoes, big expectations. Sorry this review is harsh – First the orchestra was simply - perfection - the music was EXACTLY as the original, never missing a note or beat. Can't quite say the same for the play itself. I realize this ensemble is trying to bring a freshness and modern feel, but why? Why does Jesus have a top knot? Why is he playing the guitar during Gethsemane? It was so distracting and completely took away from what is one of the most powerful, stunning, beautiful and emotional songs of the play. Give the actor the ability to act, not perform. And what of these 'moves' by Caiaphas, Annas and the priests? It looked like a slow death while pole dancing their staffs. (no pun intended) Finally, for the not so good. The actor playing Pilate...? whaaa?? I am hoping the actual Pilate was sick and this was his understudy. He was nervous maybe. Very meek, almost just read the words and didn’t really sing. Again, Pilates dream, another powerful, mesmerizing songs. Just left as a dry twig in the dust. No one cared, no one got the emotion. There were glimmers of some real good stuff from Jesus and Judas. Once or twice they each had incredible moments in vocals. The audience immediately woke and started to sing in awe. But then it just went away. Left us all in a downward spiral, left hanging. It was a tease, a sample of what they could really do….and it never came back. The actress Mary Magdalene: beautiful performances; Caiaphas and Annas, superb vocals. Caiaphas, that low growling voice, countered by Annas high pitch - nice. Finally, the Judas hanging?? Can you at least pretend to hang something? Not just dangle an empty rope? And the glitter on Jesus while he was being flogged.... still don’t get that one. It's not all bad, if you love this classic Rock Opera, it's entertaining. Be prepared for less excitement, average choreography, and an awkward crucifixion and just as awkward curtain call. I looked forward to this night all week, and I just left empty, kinda jipped, as did a lot of folks in listening to the disappointment while leaving the theater. However, The orchestra alone is worth the price of the ticket, Bravo!
Jessica Allen from Seattle, Washington
JESUS CHRIST SUPERSTAR
Unfortunately, something seemed to be off with the speakers or microphones... I could not understand 90% of what anyone was saying... It had a great melody, and the choreography was great, but it lost a lot of its luster by not being able to understand them. I have never seen this show before, so I didnt know the songs or words. I just really wish I would have been able to understand them.
Mauricio Perez from Seattle, Washington
FANTASTIC PLAY, LEADING ACTORS JUST SING, BUT DON'T ACT
Splendid singer who don't act on the leading roles make me rate the play with 3 stars only. This is not a recital, but a rock opera, songs should be performed and this was missing. Perhaps Judas defended himself on this aspect by the end of the play. The poor histrionics of Mary Magdalene and Jesus made two of the most important numbers lackluster: I Don't Know How to Love Him was sung with a beautiful voice but no feelings whatsoever. The same with the most dramatic aria of the play: Gethsemani. It was a bad idea to make Jesus play his own guitar while singing this piece, especially for a singer who doesn't act, the guitar hanging from his neck made it impossible to make of it as dramatic as it should be. Ingenious scourging and moving and beautiful crucifixion. 5 stars to the stage, the illumination, the choreography, the adaptation of the Sanhedrin numbers and to Tommy Sherlock (Pilate). I would watch it again for sure.
from Los Angeles, California
MISSED THE MARK
I have seen this show 5 times in 50 years. I love the music. The cast did not connect to the music or the audience. While I applaud the attempt to be different, it was a big fail, especially for a 50th anniversary revival. The lead selling his music in his bio was tacky. Don’t waste your time.
Ron Glickman from Los Angeles, California
BUMMER IT SUCKED
I have seen the show many times over the last 50 years. This was horrible. The cast did not connect to the music or the audience. The sound was terrible. Jesus walked around with with a guitar - mostly picked it up and put it down for no apparent reason - it was distracting. The glitter made no sense. I expected way more, especially on the 50 year anniversary of an amazing show. That the lead pitched his music in his bio was tacky. Don’t wast your time or money.
Robert clark from Los Angeles, California
my wife is a huge fan of this show and has seen it previously in many forms...i splashed out and purchased front row seats , at Pantages, to surprise her for her birthday Jesus, with a "man bun" was terrible......seemed bored ( as we were with his performance) and never quite sure of the significance of the guitar ...lacking in personality, only an adequate singing voice and easily the worst male lead i have seen in a musical ever Dancers and choreography basically saved the show......microphones with cords ?, terrible sound quality could go on and on but if you haven't bought tickets yet then save your money I generally love musicals but not this production
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